Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Friday, January 13, 2017

Becoming Male in the Middle Ages

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Title : Becoming Male in the Middle Ages

Series: New Middle Ages (Book 2066)
Paperback: 408 pages
Publisher: Routledge; 1 edition (October 3, 1999)
Language: English
ISBN-10: 0815337701
ISBN-13: 978-0815337706

Description : 
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Tuesday, January 10, 2017

American Gothic Art and Architecture in the Age of Romantic Literature

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Title : American Gothic Art and Architecture in the Age of Romantic Literature
Series: Gothic Literary Studies
Hardcover: 256 pages
Publisher: University of Wales Press (February 15, 2015)
Language: English
ISBN-10: 1783161604
ISBN-13: 978-1783161607Description : 

2015 winner of the Henry-Russell Hitchcock Award from the Victorian Society of America

This volume analyzes the effects of British gothic novels and historical romances on American art and architecture in the romantic era. Through the work and writings of such figures as Washington Irving, James Fenimore Cooper, Nathaniel Hawthorne, Thomas Jefferson, and many more, Kerry Dean Carso reveals a surprisingly extensive symbiotic relationship between the arts in America and gothic literature in Britain—while also offering new insight into a relatively understudied era in American architecture.

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All Her Facutlies The Representation of the Female Mind in the Twentieth-Century English Novel

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Title : All Her Facutlies The Representation of the Female Mind in the Twentieth-Century English Novel
Hardcover: 219 pages
Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften; 1st New edition edition (February 13, 2014)
Language: English
ISBN-10: 3034317654
ISBN-13: 978-3034317658

Description : 
All Her Faculties focuses on the perpetuation and reflection in literature of particular representations of the female mind that are entrenched in conservative notions of womanhood. The study highlights literature’s incontrovertible power to create myth - the myth of woman as body, not mind - through social practice as well as discourse. This is accentuated in the divergent yet related roles women as scholars play in a number of fictions that have entered, to a greater or lesser degree, the cultural consciousness of the twentieth century. What emerges is that the female scholar does not portray a ‘normal’ intellect but a transgressive one, based on a cultural understanding of rationality as male-inflected.
New readings of novels by H. G. Wells, D. H. Lawrence, Dorothy L. Sayers, Kingsley Amis, David Lodge and A. S. Byatt reveal that the female mind, implicated in her outward appearance or inward psychology, is depicted as distorted by scholarship. The female scholar is shown to lack ethos, a moral aspect in relation to action and voice, and the plots of the novels under discussion seem to thrive on this strategic marginalisation of her subjective intellectual being. This study offers original readings of twentieth-century texts through the lens of the female intellect.

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Ain’t Got No Home: America's Great Migrations and the Making of an Interracial Left

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Title : Ain’t Got No Home: America's Great Migrations and the Making of an Interracial Left
Paperback: 252 pages
Publisher: The University of North Carolina Press; 1 edition (March 17, 2014)
Language: English
ISBN-10: 1469614022
ISBN-13: 978-1469614021


Description : 
Most scholarship on the mass migrations of African Americans and southern whites during and after the Great Depression treats those migrations as separate phenomena, strictly divided along racial lines. In this engaging interdisciplinary work, Erin Royston Battat argues instead that we should understand these Depression-era migrations as interconnected responses to the capitalist collapse and political upheavals of the early twentieth century. During the 1930s and 1940s, Battat shows, writers and artists of both races created migration stories specifically to bolster the black-white Left alliance. Defying rigid critical categories, Battat considers a wide variety of media, including literary classics by John Steinbeck and Ann Petry, "lost" novels by Sanora Babb and William Attaway, hobo novellas, images of migrant women by Dorothea Lange and Elizabeth Catlett, popular songs, and histories and ethnographies of migrant shipyard workers.

This vibrant rereading and recovering of the period's literary and visual culture expands our understanding of the migration narrative by uniting the political and aesthetic goals of the black and white literary Left and illuminating the striking interrelationship between American populism and civil rights.

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